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Exploring Tate:
A Feminist and
Marxist Analysis

This digital humanities project analyzes the Tate Dataset from a structuralist approach including Feminist and Marxist frameworks. We answer questions about changing female artist representation in relation to key historical movements, and changing trends in art production over major economic events.

Volendam, Holland, from the Zuidende 1895 - Elizabeth Forbes
In the Zone 1982 - Denzil Forrester MBE
The Cruise 1934 - Mary Adshead
Point as a Set No. 26 1970-1 - Claire Falkenstein
Red Bream 1971 - Leonard Appelbee
Joints 4tet Ensemble 1971-2010 - Charles Atlas

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About

Take a behind-the-scenes look to our project with our team members.

Narrative

Read our full analysis and findings here.

Data Critique

Take an in-depth look into our dataset here.

Bibliography

Read our overview of all sources used for this project here.

© 2024 by Visual Art - Theory and Method Final Project. All rights reserved.

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